The vital necessity for the reduction of greenhouse gas emissions, and more importantly of CO2, was already dominating public and political dialogue as early as the 1970s.
When one wants to talk about architecture and music, one must, redundantly at this point, start from Goethe’s aphorism that architecture is music frozen in time.
Many may wonder how the undermining of women in society could ever be connected to the, continuously increasing, environmental crisis. As random as it may sound, there seems to be a cause-and-effect relationship between the two.